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- November 1999 -
Jovonn
"Pitch Black EP" (Next Moov Traxx) - House |
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My house record of the year! Jovonn and DJ Deep really
did it with "Back In The Dark" and their tribute to house
music. I can already see it: the crowd and me in trance,
the hands in the air, all eyes closed and the living spirit
above everything. This song comes from heaven, where God
and his (or her) angels released this groove to give us
earthbound people an early Christmas present. Jovonn is
the messenger, DJ Deep the keymaster, and we are the lucky
recipients of this instant house classic! Don't be afraid
by the title, because this twelve inch will guide you out
of the dark into the light to give you wings and free your
mind. Like on so many of our beloved anthems, spoken words
heavenly performed by Jovonn will capture and remind you
of an era when nobody thought this music would still exist
in ten years. But to all you pessimists: house is still
alive and with songs like this phatter and better than ever!
And who said that dark is bad? Let me tell you, once you
have experienced these bad-ass organ attacks over classical
NJ beats, there's no cure for you; the house spirit will
take over your body, it will infect your brain and it will
convince you that house like this is more than music. Listening
to this song is therapy, education and food, and it reveals
like nothing else in the recent past that house music provides
us with one major message: DANCE, and your soul will follow.
Attention people, universal dance music is back!!!
MG
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The
Art of Noise "The Seduction of Claude Debussy" - (not categorizable)
- ZTT |
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"Eventually,
Claude Debussy was recognized as one of the greatest composer
of his time. Today, he is more than that. He is considered
not only the greatest French composer who ever lived; he
is considered the revolutionary who set twentieth century
music on its way..."
Thus speaks actor John Hurt, the narrator of this eminently
postmodern work of art, in the opening of what can only
be considered a masterpiece.
This album has to - and can only be - approached as a lesson
in Art History, both from a strictly musical and from a
creative standpoint. Art of Noise have been silent for the
better part of the 90's after being arguably one of the
most creative "electronic" bands of the 80's. With "The
Seduction of Claude Debussy," the reason for this becomes
clearer. They were observing what they had created and set
in motion, as watchful parents keeping an eye on their children
while they're frolicking in the park. When one digs into
one's record collection, as I did when I received this album
as a gift, one notices that the seeds for the musical genres
we today hold dear had been planted by Trevor Horn and Anne
Dudley well over 10 years ago. It might seem heretical to
affirm such a thing at a time when people still argue about
who invented House and Techno even when they all agree that
it was someone or other in Chicago, Detroit or New York.
Art of Noise is irrevocably tied to the birth of this genre,
and overlooking that fact would be almost criminal and certainly
irresponsible.
But above and beyond this pointless feud, these incredibly
talented people always had - and still do have - a mission.
I might be wrong, but then again their very name suggests
it. They want to bring art back into modern music.
What better way, then, than creating an opus magnum for
the one true musical artist who really did set 20th music
on its way: Claude Debussy. Loosely inspired by his life
and the artistic climate of early century Paris, and largely
inspired by his music, this album which ranges in styles
from Downtempo (Rapt: In the Evening Air) to House (Dreaming
in Colour) to Drum n' Bass (Il Pleure [At the Turn
of the Century] and several others) to "noisy" Techno (Metaphor
on the Floor) to Hip Hop (Metaforce, with guest Rakim, probably
my favorite track on this album), to plain Classical is,
on first audition, immensely impressive by its breadth,
scope and focus. Anyone else but the Art of Noise could
not have succeeded in this, losing themselves in trying
to successfully produce so many eclectic tracks and assemble
them into a coherent whole. AON achieve this and what's
more, they do it while masterfully combining music inspired
or composed by Claude Debussy (several extracts of his work,
most recognizably his "Prélude à l'Après-Midi
d'un Faune" can be heard throughout the album), with operatic
vocals, rap and a narrator, the latter giving "The Seduction
of Claude Debussy" its definite feeling of being a lesson.
And what a lesson!
All I can add about this album is, sit down, listen, and
learn. Thank you, Trevor, thank you Anne.
You can visit AON's Web site at http://www.theartofnoise.com
DJSC
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Blaze
"Cult Of Soul" (Slip'n'Slide) - House |
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Bittersweet new deep and soulful jazz house song from Blaze,
who took a little 'bit of "Lovelee Day" plus a little 'bit
of "My Beat" and ended up with this beautiful song. Build
around an endlessly looped short synth'n'guitar riff, it's
all about acoustic guitars on this record, no singing but
pure acoustic jazz house pleasure. It's been a long time
that I've heard such a deep house song from Blaze! Unfortunately,
I only have the one-sided test pressing so I can't tell
you who is going nuts on guitar, but whoever it is deserves
my highest respect and love. The way the guitar is melted
around this looped background music is absolutely gorgeous,
sometimes a plain melody and sometimes using chords, which
has the dangerous potential to put you in trance. Lovelee...
MG
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Various
Artists "Jazz In The House 7" (Kickin/Slip'n'Slide) - House
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Do I really have to tell you that this compilation is tha
bomb? Hopefully not, because the entire "Jazz In The House"
series is absolutely essential. The latest imprint is subtitled
"The Sound Of Summer" and brings you eight jewels from the
ever expanding jazz house music catalog. Compiled by Phil
Asher and Seamus Haji, you can not only expect nothing but
pure jazz quality above the 120 BPM range, you really get
it! So what's on there this time? Well, first and foremost
Victor Davies' "Brother" (Flipside), one of the best house
songs of this year! I had this song for almost 5 months
in my crates, as a white label with no sticker on it, and
I had no clue who the artist is, but now I know and I still
love this song. Let's say this song sounds a little 'bit
like Terry Callier meets Jon Lucien during a 4 Hero music
session, and you're halfway through to the truth. If you
haven't heard it yet, drop everything and try to at least
catch a sound sample of it somewhere; the flute, the deep
Latin jazz vibes and Victor's voice will do the rest. Another
amazing song comes with Teddy Douglas & Luis Radio and their
"The Violin" (Basement Boys). Holy mother, if you liked
Kerri Chandler's "Andromeda," listen to this violin-infected
jazz house track! Francesco Carmignani rides his violin
down a soulful and deep river into the jazz house heaven,
while you shake you head in bewilderment. Violins and house
music??? You better believe it! Of course, Frankie Feliciano
is also on this great sampler and so is Ron Trent. And before
I forget, there's also Bougie Soliterre and their seminal
"Got The Bug" (Sfere), one of my favorite jazz house tunes
of this year. Nuff said, hands up for the only ongoing compilation
series which never ever disappointed me. I'm already waiting
with all bells on for 'Jazz In The House 8'!
MG
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Weird
Uncle Betty "In Porn We Trust" (Dune) - Electronic/Rock
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If you dig hard rock beats, noise and dance paired with
electronic music, this one is for you! And on top of it,
the weird uncle put lots of samples from their personal
porn collections into the tracks to show you how serious
(or misplaced) porn dialogs can be. I guess in their original
format, in the movies, those samples sounded stupid, but
together with electronic music they definitely unfold their
potential. No really, although I am not a complete fan of
hard electronic music, I really enjoyed listening to this
release with its unpredictable sounds. Sometimes it reminded
me of The Chemical Brothers, sometimes of Germany's Ramstein,
and sometimes of The Crystal Method. With one exception:
"The Intruder," which features Batmagoo on a dope-ass
midtempo breakbeat including "I Knew He Was A Pervert..."-samples
and wild techno-ish keyboard effects. This CD is not only
for porn fans...
MG
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Various
Artists "San Francisco Sessions Vol. 1 " (OM) - House
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Mark Farina has done it again, this time not with first
class downtempo jams but with 5 star house gems as expected
from the inventor of the 'Mushroom Jazz' series. I had the
pleasure of seeing him this year, and this compilation continues
exactly where he left me in Chicago: with dopest jazzy and
funky house jewels from the best underground labels on this
planet. To be precise, 13 house songs are gathered on three
LPs with material from labels like Sfere, Irma, Zebra, Serial
and Moody - labels which are still mostly unknown in the
scene. But that's exactly my point. When I buy records I
always look for new and unknown labels because they release
the best music at the moment! And that's the reason why
I cherish compilations like this, because a real master
put it together and included records I never even knew they
exist, like Jerome von Rossum's "Nublado" on Irma Records
out of Italy with a jazzy vibraphone house jewel par excellence.
Well, we have to realize that we will never be able to scan
through the thousands of new releases which hit our record
stores every week, so why not leaving it up to professional
DJs like Mark Farina? And the main reason why I love this
compilation is its variety. Mark included serious jazz house
tracks like Ricky Bradshaw's "Black Keys" (Moody) right
next to some baddest funk house monsters like Bustafunk's
"Seriousfunkilla" (Funky-Tone), a track which alone had
me jumping up high in the air! This one is without a doubt
the best underground house compilation out right now, besides
my own mixed CDs ;-) Grab it while it's still there!
MG
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TO-KA
Project "Tune On Tune In..." (Drop Music) - House |
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I am a huge fan of TO-KA Project's music since their releases
on Guidance and Earth, and their new one on Drop Music out
of England didn't disappoint me either. TO-KA's releases
all share a certain kind of heavy phattness, which comes
from the deepness of their music and the use of dope vocal
samples. So happened again on "Let It Go." But with
"Tune On Tune In..." they left their typical sound at home
and expanded it into the jazz house outfield, with a deliriously
looped deep theme wrapped around a jazzy e-piano. Although,
it is still TO-KA's music. Music to get completely lost
in...
MG
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